On April 26, 2003 on a dare, the artist experienced an uncontrollable
surge of energy in the form of automatic writing. Completely unfamiliar
with this experience, but having received professional training
as an architect, the writing immediately became a series of frantic
sketches and scribbles. Believed to have been psychologically instigated,
the architect did nothing but watch as the
pictures soon began to tell a story suggesting a ‘birth’
of something new out of a black void of nothingness.
Christmas trees became ships, ships became animals, animals evoked
both Egyptian and Native American forms. Maps were drawn with eyes
closed; both of this world and not. Little hearts began appearing
at the end of a chain, quickly growing into flower-like forms and
much larger hearts. Pencils, pens, crayons, charcoal; any tool within
reach was used just to see what would happen next. All forms of
media were tested, including papers, tracing paper, cardboard, journals;
anything that would hopefully withstand the pressure of the repetitive
burnishing of lines and circles.
Still believing these images were only illusions of the mind, all
was kept quietly and neatly out of place. One year later, following
a long winter’s pause, the architect was presented with yet
another dare. “Here, see what you can do with these”,
prompted a client, offering a package of fresh acrylics. Slowly
amazed at the new depth of color, the channeling continued. Not
in a meditative state, but any time, any day. It soon became clear
that nothing was clearer; at least, to the architect.
It was during the next six months that the journey into the realm
of digital photography began. Suddenly when the array of seemingly
random sketches/ paintings were viewed on the computer screen, once
hidden images became visible and other worlds became apparent. One
form grew out of the next while multiple views were superimposed
over each other. A sense of story seemed embedded within each image,
existing entirely apart
from the artist.
Angel
in America was the first cropped detail that prompted attention.
It clearly shows the compassionate face of an angel centrally located
within the form of the United States and an image of a blue butterfly
positioned
at the northeast.
Morning Gloria and Cinema
Verite followed; each with their own unique sense of spirit
and interpretive imagery. Aftermath
is the only black and white detail image of the collection; an impression
of the 911 disaster.
In 2006 the selected images presented here were compiled as First
Collection Series One and are offered for your enjoyment, discussion
and introduction to a universal language. Remember-not everything
can be seen from one angle.
All images by right are the property of the artist
and reproduction of all or any part is strictly prohibited by law
without written permission from the artist.
© 2003-2007
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